The "Singye" mask refers to the mask of the Snow Lion, known as "Sengye" in Bhutanese. The Snow Lion is a revered symbol in Bhutanese and Tibetan Buddhist culture, embodying qualities of strength, fearlessness, and joy. The Sengye or Singye mask is one of the most important and recognizable masks used in religious dances (Cham) and rituals in Bhutan.

The "Tsholing" mask is one of the most important and recognizable masks in Bhutanese religious traditions, particularly in Cham dances performed during festivals like Tshechu. Tsholing refers to wrathful deities or protective spirits in Bhutanese and Tibetan Buddhism, who are often depicted in fierce forms to symbolize their power to protect the Dharma (Buddhist teachings) and to ward off evil spirits.

The "Tsholing" mask is one of the most important and recognizable masks in Bhutanese religious traditions, particularly in Cham dances performed during festivals like Tshechu. Tsholing refers to wrathful deities or protective spirits in Bhutanese and Tibetan Buddhism, who are often depicted in fierce forms to symbolize their power to protect the Dharma (Buddhist teachings) and to ward off evil spirits.

The "Lord of Yama" mask represents Yama, the Lord of Death in Buddhist mythology. Yama is a significant figure in both Bhutanese and Tibetan Buddhist traditions, where he is considered the ruler of the underworld and the judge of the dead. Despite his fearsome appearance, Yama is not viewed as evil but rather as a necessary force who oversees the process of death and rebirth, ensuring that karmic justice is maintained.

The ox mask is an important element in Bhutanese and Tibetan Buddhist culture, particularly in Cham dances and other ritualistic performances. The ox is often depicted as a companion or vehicle of the wrathful deities like Yama, the Lord of Death. In the context of these performances, the ox mask symbolizes strength, patience, and the burdens of life, often playing a key role in dances that deal with themes of death, judgment, and the afterlife.

The ox mask is an important element in Bhutanese and Tibetan Buddhist culture, particularly in Cham dances and other ritualistic performances. The ox is often depicted as a companion or vehicle of the wrathful deities like Yama, the Lord of Death. In the context of these performances, the ox mask symbolizes strength, patience, and the burdens of life, often playing a key role in dances that deal with themes of death, judgment, and the afterlife.

The "Singye" mask refers to the mask of the Snow Lion, known as "Sengye" in Bhutanese. The Snow Lion is a revered symbol in Bhutanese and Tibetan Buddhist culture, embodying qualities of strength, fearlessness, and joy. The Sengye or Singye mask is one of the most important and recognizable masks used in religious dances (Cham) and rituals in Bhutan.

Bhutanese Cordyceps, scientifically known as *Cordyceps sinensis* and locally referred to as "Yartsa Gunbu," is a rare and highly prized fungus that grows in the high-altitude regions of Bhutan, particularly in the Himalayas. This parasitic fungus infects caterpillars, eventually mummifying them and sprouting a fruiting body from the host, which is harvested for its medicinal properties.

Small: 10 grams 

Contains 7-9 Pices of A++ grade

Medium: 20 grams 

Contains 14 -17 Pices of A++ grade

Large: 30 grams 

Contains 24 -27 Pices of A++ grade

Bhutanese Cordyceps, scientifically known as *Cordyceps sinensis* and locally referred to as "Yartsa Gunbu," is a rare and highly prized fungus that grows in the high-altitude regions of Bhutan, particularly in the Himalayas. This parasitic fungus infects caterpillars, eventually mummifying them and sprouting a fruiting body from the host, which is harvested for its medicinal properties.

Small: 10 grams 

Contains 7-9 Pices of A+ grade

Medium: 20 grams 

Contains 14 -17 Pices of A+ grade

Large: 30 grams 

Contains 24 -27 Pices of A+ grade

A Dakpha plate is a traditional Bhutanese artifact, often made from stone or slate and intricately carved with auspicious symbols, deities, or patterns. These plates are typically used in religious ceremonies, as offerings, or as decorative pieces in homes and monasteries. The craftsmanship involved in creating Dakpha plates is a reflection of Bhutan's rich cultural heritage and artistic traditions, with each piece being unique and handcrafted by skilled artisans. 

Guru Thangka paintings in Bhutan are revered and sacred artworks that depict Guru Rinpoche, also known as Padmasambhava, the founder of Tibetan Buddhism and a highly venerated figure in Bhutanese culture. Thangka is a traditional Buddhist painting on cotton or silk, usually depicting a deity, scene, or mandala. These paintings are not only artistic expressions but also spiritual tools used for meditation, prayer, and teaching.

The Thousand-Arm Chenrezig Thangka is a highly revered and intricate Buddhist artwork depicting Chenrezig (Avalokiteshvara), the Bodhisattva of Compassion, in his thousand-armed form. In Tibetan Buddhism, Chenrezig is regarded as the embodiment of infinite compassion and mercy, and his thousand arms symbolize his ability to reach out and help all sentient beings.

A Thangka painting of Machig Labdron is a significant and sacred artwork in Tibetan Buddhism, particularly within the Chöd tradition, which she founded. Machig Labdron was an 11th-century Tibetan yogini and a revered figure known for her profound teachings on the practice of Chöd, a unique method of cutting through ego-clinging and developing compassion.

A Thangka painting of Kalachakra with Vishvamata (or Vishvamata) is a profound representation in Tibetan Buddhism, symbolizing intricate cosmology, spiritual practice, and the union of wisdom and compassion. The Kalachakra (Wheel of Time) is one of the most complex and significant deities in Tibetan Buddhism, and Vishvamata is his consort, representing the inseparable union of method (compassion) and wisdom.

A Thangka painting of Kalachakra with Vishvamata (or Vishvamata) is a profound representation in Tibetan Buddhism, symbolizing intricate cosmology, spiritual practice, and the union of wisdom and compassion. The Kalachakra (Wheel of Time) is one of the most complex and significant deities in Tibetan Buddhism, and Vishvamata is his consort, representing the inseparable union of method (compassion) and wisdom.

A Thangka painting of Kalachakra with Vishvamata (or Vishvamata) is a profound representation in Tibetan Buddhism, symbolizing intricate cosmology, spiritual practice, and the union of wisdom and compassion. The Kalachakra (Wheel of Time) is one of the most complex and significant deities in Tibetan Buddhism, and Vishvamata is his consort, representing the inseparable union of method (compassion) and wisdom.

A mandala is a spiritual and ritual symbol in Asian cultures. It can be understood in two different ways: externally as a visual representation of the universe or internally as a guide for several practices that take place in many Asian traditions, including meditation.

A mandala is a spiritual and ritual symbol in Asian cultures. It can be understood in two different ways: externally as a visual representation of the universe or internally as a guide for several practices that take place in many Asian traditions, including meditation.